Sennheiser E 609 Silver Super-Cardioid Instrument Microphone
€99.95
Sennheiser E 609 Silver Super-Cardioid Instrument Microphone Price comparison
Sennheiser E 609 Silver Super-Cardioid Instrument Microphone Price History
Sennheiser E 609 Silver Super-Cardioid Instrument Microphone Description
Sennheiser E 609 Silver Super-Cardioid Instrument Microphone
The Sennheiser E 609 Silver Super-Cardioid Instrument Microphone is your gateway to exceptional audio quality. Perfect for musicians, sound engineers, and broadcast professionals, this microphone is designed to handle high sound pressure levels while delivering a crisp and clear tone. If you’re in the market for a reliable, robust, and high-performance microphone, the Sennheiser E 609 might just be what you need. In this product description, we will explore the features, pricing, and customer reviews to help you make an informed decision.
Main Features and Benefits of the Sennheiser E 609
- Super-Cardioid Pickup Pattern: This design minimizes background noise and focuses on the sound source, ideal for live performances and studio recordings.
- High Audio Sensitivity: With an impressive sensitivity of 150 dB, this microphone captures every nuance of your performance, making it perfect for instruments, especially electric guitars.
- Wide Frequency Range: Its frequency response ranges from 40 Hz to 18 kHz, which ensures you capture the full spectrum of sound, from deep bass notes to crisp high frequencies.
- Robust Metal Construction: The durable metal design ensures longevity and reliability, making it suitable for touring musicians and daily studio use.
- Lightweight and Compact: Weighing just 4.4 ounces and measuring 2.2 x 5.7 x 1.3 inches, the E 609 is easy to transport and set up at any gig.
- High Signal-to-Noise Ratio: With a 110 dB rating, this mic delivers a clean signal with minimal background noise, enhancing the overall quality of your recordings.
- Versatile Power Source: It operates on a corded electric power source, meaning you can use it without worrying about battery life during crucial performances.
Price Comparison Across Different Suppliers
When it comes to shopping for the Sennheiser E 609 microphone, price comparison is key. Prices may vary among online retailers and local music stores. Our comprehensive price comparison feature allows you to check multiple suppliers to find the best deal available. As of now, prices for the Sennheiser E 609 typically range from $99 to $129. Make sure to check the price history to ensure you’re getting it at the right time, as fluctuations are common.
Notable Trends from the 6-Month Price History Chart
According to our 6-month price history chart, there has been a slight decrease in the average selling price for the Sennheiser E 609 over the past three months. This trend might suggest a seasonal discount or an upcoming product release, so if you’re contemplating a purchase, now might be a good time to act. Historical data indicates that waiting could mean missing out on potential savings.
Customer Reviews Summary
Customers adore the Sennheiser E 609 for its exceptional sound reproduction and reliability. Users rave about its performance, particularly for live guitar amplifiers and vocals. Many highlight its ability to handle high sound levels without distortion, even during intense rock performances.
However, a few reviewers noted that while the microphone excels in most situations, it may not be the best option for recording quieter sounds like acoustic instruments or vocals in a soft dynamic range. Despite this, the overwhelming majority of users agree that the E 609 provides unparalleled value for its price.
Explore Unboxing and Review Videos
If you’re still unsure whether the Sennheiser E 609 is the right microphone for you, we recommend checking out the numerous unboxing and review videos available on YouTube. These visual reviews provide first-hand impressions and demos that can be incredibly helpful in assessing sound quality and performance in various scenarios. Many creators offer insightful reviews, showcasing real-world applications and side-by-side comparisons with other microphones.
Conclusion: Compare Prices Now!
The Sennheiser E 609 Silver Super-Cardioid Instrument Microphone stands out in its category with solid construction, high sensitivity, and professional-grade sound quality. Ideal for both live and studio setups, it’s a microphone that musicians and sound professionals can rely on. By comparing prices on our price comparison site, you can ensure you’re getting the best deal on this exceptional microphone. Don’t miss out on the opportunity to elevate your audio experience—compare prices now!
Sennheiser E 609 Silver Super-Cardioid Instrument Microphone Specification
Specification: Sennheiser E 609 Silver Super-Cardioid Instrument Microphone
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Sennheiser E 609 Silver Super-Cardioid Instrument Microphone Reviews (13)
13 reviews for Sennheiser E 609 Silver Super-Cardioid Instrument Microphone
Only logged in customers who have purchased this product may leave a review.
Lex GA Milton –
Excellent microphone for the price. It is very good at cutting out any frequencies behind the diaphragm. This makes it excellent for live applications with instruments or even voice. it might not be a really high end, vocal mic, but in the considerations of using it for the live floor recordings it is excellent and can make a very passible master track ( with very little bleed!). Well worth of money.
giancarlo l. –
come viene descritto ,
da consigliare!
MauiMaine –
Previously I was using the Sure 57 like every guitar player under the sun. But I could never achieve a “full” and “present” sound with the 57, and always had to crank my guitar channel up in the mix a bit higher than everyone else in the band. The Sennheiser Professional was a huge improvement. Now I can hear my guitar cutting through the mix clearly and fully. I also like the “drape down” method of mic placement on the amp speaker instead of having a mic stand getting in the way. You need this mic if you want your guitar channel to come alive.
Sean –
This thing is just a DREAM for micing guitar amps, especially “problematic” cabs. My main amp (Peavey Delta Blues) uses a 15″ speaker. Trying to mic it with an SM-57 or similar is always a compromise of what kind of coloration I’m willing to accept. Hours of recording time and fiddling with placement did eventually allow me to discover a sweet spot. But even then, trying to place such a tiny capsule on a speaker larger than 10″ never gets me close to the natural sound of the amp. Something is always hyped or missing. It’s always a hunt for the least bad placement. If you’re reading this, you’re probably familiar with what I’m describing.
The e609 is the opposite of that situation. You can just about throw it in the general direction of an amp and get a decent sound. Slap it right up against the grill, halfway between the edge of the dust cap and edge of the speaker cone and you’re set. Use a stand or hang it over the cab. The thing is just remarkably un-picky. It’s very easy to use to get a relatively transparent representation of what the amp actually sounds like with minimal fuss.
A couple things to note:
It’s light. I dig it, especially since it spends a lot of time dangling from a mic cable. More weight would probably be bad.
It is a little on the bright side, but nothing unreasonable or difficult to manage.
The housing around the grill is plastic. Seems sturdy enough, but maybe don’t use it as a hammer.
The included mic clip is SUPER TIGHT. I suspect this is among the reasons you always find 609s hanging from a cable, even if an extra stand is available.
Melissa –
Super convenient mic, good for many applications. Sound quality is good but not the best, the e906 is a huge upgrade in sound for not that much money
K. von Braun –
Using a Fender Blues Jr amp, I compared the tonal response between the e609 and a Shure SM57. The e609 has slightly higher mid range response and a better humbucking quality to it, but the SM57 captures a large range of frequencies, particularly for cleaner guitar sounds, i.e., makes the sound a little fuller.. The ease with which to use the e609 with an amp (just hang it over the top; I use velcro to keep it in place) is a plus, however. The biggest con I found is that I am not getting very much signal through it when recording through a presonus DAW, requiring me to crank the amp to volumes that are pretty loud. The SM57 wins in that aspect, but not by much.
Decent mic, but probably not the answer in the quest for the greatest tone ever.
Jonhattan –
Tengo este micrófono desde 2019 y me ha salido buenísimo, excelente sonido, durable, sencillo, fácil de usar y versátil.
Mario Cesar Valbuena –
Si bien ya no es igual a la versión original del producto, el Mic tiene una excelente calidad
Paparaptor –
These were recommended to me by a sound professional who uses them almost exclusively for mic’ing guitar amps and bass amps at live gigs. His comment about them is that they are as good for the job as a Shure SM58, but a lot easier to place. He just drops them over the front of amps and secures the cable with a little duct tape to the amp.
I compared mine to SM58 and while I can hear a tiny bit more high end on the Shure, but not enough to make any difference to me. I now have two of these in my music room, permanently hanging in front of my amps and they will be used for all of my guitar and bass recording.
Oh… the only negative I can find is that the mic clips for stand mounting simply can’t be used with these microphones. The clips that came with the mics are far too small. And the mic bases are too small to snugly fit into a SM58 sized clip. I have some aftermarket mic clips that use a clothespin type of holder that will hold them. I won’t need the clips, but if you do, it is something to be aware of.
Davey –
This is such a great guitar amp mic. Easy to use, just drape it over the front of your cabinet silver side in, or you can use it with a stand.
First let me say what this mic is not: It’s not a Shure 57. If you looked at a Shure 57 and thought “Everyone uses those, I should do some research!” and you have watched all the youtube videos showing you how to earn your degree in Shure 57 mic placement to get a killer tone out of one and you are ready to put your skills to the test, go for it. Amazon sells those, too.
Or….. You can just lay this thing on the grille cloth about right where the dust cap (that dome in the center) meets the cone, and get a great sound. If you want it a bit warmer, move more toward the cone/edge, if you want it brighter, move toward the dust cap. About half way for a start, and it sounds pretty damn good, without all the fuss that a 57 takes.
Does it sound as good as the 57? I think so. And without anywhere near as much fiddling around. I use mine at a “Loud enough, but not so loud the cops are coming” volume and I have no issues getting the tone I hear in the room coming out of my amp reproduced in the DAW.
Amazon Customer –
Industry standard mic
偽物マスターⅡ –
楽器用との事ですが、ボーカルにも使える万能マイク。57みたいな感じでしょうか。ギターアンプの前に置いたり、ぶら下げたり。ボーカルだと古い音楽をやられてる方（ジャズやブルース、オールディーズ等）。
音質も良いですが、見た目が最高です。自分はトランペットでミュートを使う時に使用。
Thomas –
Ich habe das Mikro im Rahmen der Preissenkung gekauft für 79€. Bereits vorher lag es in meiner Wunschliste bei verschiedenen Versandhändlern, aber der psychologische Preis von über 100€ hatte mich immer gehindert. Nun, für unter 80€ kann man eigentlich nicht mehr zögern.
Die Funktion und die Qualität kann man überall nachlesen, ich kann dem nur zustimmen. Parallel nutze ich auch ein Superlux PRA 628 MKII, das dem Sennheiser sehr ähnlich ist (und auch nur die Hälfte kostet), aber nicht ganz an das E609 herankommt. Es gibt einige Videos über die Unterschiede – beide klingen gut, aber nicht gleich, am Ende mag ich das Sennheiser lieber.
Ich lasse es über ein Kabel vor einen Fender Deluxe Reverb baumeln und ab und zu vor einem Gretsch 5222, dafür ist es perfekt.