The Italian by Ann Radcliffe

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The Italian by Ann Radcliffe Description

The Italian by Ann Radcliffe: A Cinematic Masterpiece

Explore the evocative drama of The Italian by Ann Radcliffe, a film that captures the essence of romance and intrigue. Directed by Andrei Kravchuk and released on May 22, 2007, this cinematic gem immerses viewers in a breathtaking narrative, all within the entertaining runtime of just 1 hour and 39 minutes. With a PG-13 rating, it’s suitable for a range of audiences. Whether you’re looking to understand its historical significance or just enjoy a thrilling watch, this film is a must-see.

Key Features of The Italian

  • Stunning Visuals: With a 1.66:1 aspect ratio and beautifully captured scenes, The Italian offers a visually engaging experience.
  • Language Options: Enjoy the film in its authentic Russian language with English, French, and Spanish subtitles, adding depth to the viewing experience.
  • Audio Experience: Accompanied by Dolby Digital 5.1 and Closed-captioned options, viewers can enjoy an immersive audio atmosphere.
  • Widescreen Format: The DVD is presented in a Widescreen format, ensuring you don’t miss any detail in this visually compelling story.
  • Subtitled Features: Ideal for foreign language enthusiasts, the film includes subtitles in multiple languages, enhancing accessibility.
  • Engaging Storyline: Engage with renowned actors like Yuri Itskov, Mariya Kuznetsova, and Dariya Lesnikova, who deliver powerful performances.
  • Production Quality: Produced by Andrei Zertsalov and presented by Sony Pictures Home Entertainment, the film boasts high-quality production values.

Price Comparison Across Different Suppliers

The pricing of The Italian by Ann Radcliffe varies across various suppliers, allowing you to find the best deal for your purchase. Our price comparison tools help you compare prices from multiple online retailers. Whether shopping on Amazon or specialized DVD stores, you can secure a competitive rate for this film. This versatility not only assists in savvy shopping but also encourages you not to miss out on such a compelling narrative.

6-Month Price Trends

Our 6-month price history chart reveals interesting trends concerning The Italian’s pricing. Since its release, the price has fluctuated, showcasing specific peaks during promotional events. Notably, prices have dipped below the average during clearance sales, making it a great time to buy. Make sure to check these trends regularly to seize the right moment to purchase this film.

What Customers are Saying

Customer reviews for The Italian by Ann Radcliffe highlight its emotional depth and engaging storyline. Viewers were captivated by the rich character portrayals and the intricate plot twists that evoke a sense of suspense and anticipation. Many reviews commend the film’s visual style and the evocative scoring that enhances the narrative.

However, some noted minor drawbacks such as pacing issues. A few felt that while the first half of the film was engaging, the latter could have benefitted from tighter editing. Overall, the positive feedback outweighs the criticisms, with many users recommending this film for its artistic brilliance and storytelling.

Explore Unboxing and Review Videos

To gain even more insight into The Italian by Ann Radcliffe, many users have created unboxing and review videos that delve deeper into the film’s themes and production value. These videos provide fans and potential viewers a closer look at what they can expect before making their purchase. YouTube hosts a plethora of content where aficionados analyze various aspects, which can greatly enhance your viewing experience.

Why You Shouldn’t Miss The Italian

With its captivating narrative, high-quality production, and robust performances, The Italian by Ann Radcliffe is more than just a film; it’s a story that resonates on multiple levels. Whether you’re a drama enthusiast or someone who appreciates foreign cinema, this film deserves a place in your collection.

By comparing prices now, you can secure the best deal and experience a cinematic journey that transcends the ordinary. Don’t hesitate; find out where to buy this remarkable film!

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The Italian by Ann Radcliffe Specification

Specification: The Italian by Ann Radcliffe

Aspect Ratio

1.66:1

Is Discontinued By Manufacturer

No

MPAA rating

PG-13 (Parents Strongly Cautioned)

Product Dimensions

3.2 Ounces, 7.75 x 5.5 x 0.5 inches

Director

Andrei Kravchuk

Media Format

AC-3, Closed-captioned, Widescreen, DVD, Dolby, Color, Subtitled, NTSC

Run time

1 hour and 39 minutes

Release date

May 22, 2007

Actors

Yuri Itskov, Mariya Kuznetsova, Dariya Lesnikova

Subtitles

English, French, Spanish

Producers

Andrei Zertsalov

Language

Russian (Dolby Digital 5.1), Unqualified (Dolby Surround)

Studio

Sony Pictures Home Entertainment

Number of discs

1

Genre

Drama

Format

Color, AC-3, Closed-captioned, Dolby, Subtitled, Widescreen, NTSC, DVD

Contributor

Dariya Lesnikova, Mariya Kuznetsova, Lenfilm Studios, Andrei Zertsalov, Andrei Kravchuk, Yuri Itskov

Runtime

1 hour and 39 minutes

Color

Color

Manufacturer

Sony Pictures Home Entertainment

UPC

043396170889

Global Trade Identification Number

00043396170889

ASIN

B000NQRDZG

The Italian by Ann Radcliffe Reviews (10)

10 reviews for The Italian by Ann Radcliffe

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  1. B. Tovey

    This is a wonderful, touching film. Visually beautiful, it captures the desolate state of so much of modern Russia, and the gloom of a cold winter. The plot is interesting and well-constructed, with a good mixture of seeing the world through adult and child’s eyes. The acting, especially by the children, is fantastic – these are not Hollywood stage school kids, and they handle the relatively adult script really well. (By the way, although the film has apparently won awards for children’s cinema, it’s definitely not a film for young kids to watch.) If the film has any low point, it’s possibly the ending, which falls a little flat. But that would be a very minor criticism of an otherwise excellent film.

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  2. ERIC T.

    Un très bon film Russe ,méconnu,Inspiré d’un fait divers, ou un jeune orphelin avait décidé de retrouver sa mère. L’enfant avait, tout d’abord, appris tout seul à lire et à écrire et puis s’était enfui de l’orphelinat.Le jeu des acteurs est parfait.Le scenario impeccable.A remporté de nombreux prix.

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  3. Caliaudio

    I had not heard of The Italian before Amazon sent a copy, but was quite keen to see it after reading various reviews on the back including mentions of Sundance awards it had picked up.

    The film starts well enough, and sets the tone very appropriately with bleak windswept and cold photography, making that area of Russia look very down at heel and uninviting; the perfect setting for an orphanage then. The orphanage is made up of a range of boys ages and a small handful of girls. It’s not entirely obvious (unless you read the back) that the owners of the orphanage are crooked, supposedly ruthlessly selling orphans to needy childless parents. This is because they set up the meeting between our lead boy and his prospective Italian parents as though they’re doing everything they can to ensure the boy enjoys a full and happy life with two very kind and loving people. When he runs away prior to being adopted it’s more obvious that the owners care less about his welfare and more about the fee they’ll get from the parents, but they still don’t seem like such bad people.

    In another thread of the film we have several teen orphans who’ve set up shop in the basement of the orphanage. They pool their money together from odd jobs and struggle to survive. Again, reading the back, they’re portrayed as an underground gang of sorts, but the performances and script didn’t seem to take them in that direction. Yes, the ‘leader’ beat a kit up who stole some money, but is that so unusual in those circumstances?

    Finally, I think where this film was most let down was by the performances. The orphanage owners were competent, but the teen orphans and most of the boys, including the lead, were unconvincing and didn’t really put much into their parts. I was meant to care about them, and about the fate of the young boy, ‘The Italian’ but they didn’t suck me in and I was left feeling mildly unsatisfied by the film.

    In conclusion, it wasn’t terrible, but given that the story wasn’t a bad idea at all, it could have been a much better film with some more charismatic players.

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  4. ChristieM

    As an adoptive parent of 2 Eastern European Children both in orphanages since birth, I found this movie to be a NEEDED movie to see for those who about to take the strange and unknown journey into International Adoption. It was pretty strange to watch the movie and have the street of the orphanage Vanya was looking for being the same name of the street our daughter’s orphanage was on.

    We had the rare opportunity of staying in the country we were adopting from for 31 days and lived in an apartment in the city, which was about 40 minutes from the Village our daughters came from. We also were able to visit other orphanages and a TB Sanitarium with a Russian friend who regularly visits the children.

    We found the conditions portrayed in the movie to be accurate. When I had to use the toilet, I was led to the “guest toilet”. It was an old decrpid shed with a bucket. The stench was so bad, I was willing to wait for a few more hours until we went back to our apartment. Our daughters did not have that privelege. Baths, once a week. Clothing? Old, dirty, holey, shoes too small, if at all, but big ole’ smiles on all those little faces hoping that you will take them home. Looks of hopelessness, sadness, despair, no future, no hope. We sat and talk to a group of teens who wanted to know if they could come to America. Tears streamed down their faces as we spoke to them and answered their questions. We brought sanitary napkins for the girls, toilet paper, shampoo, soap, laundry soap. Many times they do without these basic things. They have no running water.

    They eat sub standard food and many have permenant health problems because of it.

    Both of our daugthers were told they would be killed or sold. They were terrified. They were not told this by other kids. They were told this by workers. This was portrayed in the movie.

    Our daughters were abused in the orphanages. This was portrayed in the movie.

    (If you really want to see the reality, read the Human Rights Report on Orphan Neglect )

    THEN… the movie touches on the “commodity” issue. Adoption is legal in Russia and Eastern Europe. It takes HUGE amounts of frustrating paperwork and you come by invitation only. The money changing hands is NOT to purchase a child, but to charge for services: Paperwork translation, travel services etc. But it would be naive to think that there are not those unscrupulous facilitators who make big money off of desperate people.

    There is HUGE corruption within the agencies that permit adoption. Russia permits independent adoption without the use of an agency, This waas portrayed in the movie.

    All the children want their mommies. They dream of having their mothers. Vanya’s desire to see his mother again is accurate. I like the end, which I will not mention here. As Vanya is writing to his friend to let him know that he is ok, hasn’t been sold for body parts and is happy, you are left to wonder, is it true? False? It gives you the true sense of hopelessness that portrays the life of an orphan.

    And for those skeptics. Yes there are propaganda orphanages, just to please foreigners.

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  5. eaglebear

    I would probably watch this movie again because it is so touching. It has sad parts, but it is very touching about the boy’s determination to find his mother and what he has to go through for his attempt. It has a couple spots that are too adult-themed to be appropriate around children, in my opinion. I like the way it illustrates the culture.

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  6. Lohengrin

    This movie isn’t all about warm and fuzzie’s though there are plenty there. Interesting depiction of lower class life in the gray Soviet Union. Many events are rather circumstantial.

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  7. A reader

    First, let me say that it strikes me as wholly bizarre that anyone would review this film without having viewed it. Whatever your personal stake in the Russian adoption system is, you should probably air your opinions on it somewhere else, unless you’ve actually taken the time to view the film (see review below). The movie is absolutely stunning! I speak Russian, so I quite enjoyed the beautifully done dialogue and the rural dialect and accent of the children. The subtitles were well done: yes, one could quibble with some translations, but they captured the essence of the original Russian, which is not something many movies can say. Cinematically, this film is also beautiful: it captures the decay, poverty, and wretchedness of post-Soviet Russia perfectly, and does so in a way that is always moving and never cheap or exploitative. It also portrays the orphans themselves and their problems and choices in a way that is truly insightful. The story itself is also excellent, and the ending is satisfying without in any way being hackneyed or contrived. Moreover, the writing is superb. The characters are all complex, multi-faceted, and believable. No one is two-dimensional, and even the “villains” have some depth and even some sympathetic aspects. If you enjoy deep, rich, and complex characterizations about the problems of everyday life, you will love this movie. If your idea of a good movie is a series of explosions and shootouts, stay away!

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  8. Cat Mac

    Up until now I had never seen any offerings from Russian cinema, and so I wasn’t really sure what to expect from Andrei Kravchuk’s film. The plot is relatively simple – Vanya is a six year old boy who lives in a run down rural Russian orphanage which is governed by two powers. The first is the drunken and ineffective director of the orphanage and the sycophantic ‘Madam’ who brokers adoption deals for large sums of money. The second, and possibly more powerful is the kids themselves, led by a hardcore of older teenagers who have been at the orphanage most of their lives. They run themselves as a kind of mafia organisation, dealing out permission and punishment in equal measure.

    It is agreed that a decent Italian couple are going to adopt Vanya, which he initially goes along with until the mother of one of his recently adopted friends turns up to look for her son. After being told of his adoption and being sent away, she kills herself. It makes Vanya think of his own mother, and unwilling to move to another country and make himself untraceable should she try to find him in the future, he decides to run away from the orphanage to find her himself.

    The orphanage mafia try to talk him out of it, dole out a beating, and explain that he could ruin things for all the other kids if word got out that he refused to be adopted. Despite all of this, and with some help from teen prostitute Irka who wants to escape her way of life, he sets out for the address of another orphanage where he was left to begin with, persued all the way by Madam and her driver/minion Grisha.

    Vanya is portrayed as a lost yet hopeful child perfectly by Kolya Spiridonov. His unsmiling face always has that air of total innocence, even in the toughened world he has had to live in. Although having said that, he proves on several occasions that he is capable of ‘cheap thieves tricks’, providing at least one incredibly shocking moment when cornered by Grisha.

    As the synopsis states, there is more than a little of ‘The Bicycle Thief’ about the story (even down to a couple of scenes which are almost a homage to that movie), and Spiridov provokes that same feeling of absolute empathy that little Bruno did in that movie.

    Things do feel a little rushed towards the end and you do feel cheated out of the big reveal. Fortunately Vanya appears to get his happy ending, although you may have to quickly rewind on the DVD to catch that. ‘The Italian’ is a very decent movie, with some great performances, but it’s not exactly bringing anything new to an old story we’ve seen dozens of times from Oliver even up to Tracey Beaker where scarred and abandoned kids just want to find out where they come from, and want their happy ending. Worth a watch, but might not change your world.

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  9. Angel

    Where do movie makers find such magical YOUNG children to star in movies like this? The conditions under which the children live are absolutely wretched and bleak. Although it is “just a movie” some might say, I know there are children in countries all over the world whose lives are just like these — filled with everything that is NOT love.

    I found myself wishing I could win the lottery and take bucket loads of money to them and brighten their lives by cleaning up, painting up, fixing up their orphanage and taking them all shopping for clothes, food, and all the toys their little hearts desire.

    I saw this often bleak movie many years ago and did not really remember it until close to the end.

    The roughness and cynicism of the older ones — who obviously are trapped in their environment forever without hope of a better tomorrow — are in sharp contrast to the innocence of the younger ones.

    That last scene — so silent, yet so powerful — is an absolutely precious acting job. It brought tears up from the depths of my heart and soul.

    Is there any bond stronger than that which often binds the hearts of mother and child?

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  10. JAMES TRAVIS

    This film is supreme. Within ten years it will be known as a classic of modern Russian cinema against which all future European attempts to equal its stunning honesty and power will be measured. The French will create a name for the genre and Criterion will tweak to improve the coloration and release it with new sub-titles.

    Buy the D.V.D. now: before it is listed as “out of stock”, or “available from these sellers”, and you will have something special!!!!

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