Bethesda The Evil Within by Author’s Name

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北米版なので、日本語字幕なし、日本語音声なしですが、日本製のXbox ONEでプレイできました。
ゴア表現についても、オリジナルの表現のままプレイできます。

装丁がスペシャルエディションパッケージで、通常のパッケに3Dシールの紙製スリーブが付いてきます。
デジタルアップグレードとして、”THE FIGHTING CHANCE PACK” のリディームコード付きでした。
この値段でお得な仕様です。

レターボックス表示をオフにする機能が既にトップメニューに反映されていました。
レターボックス表示は、画面の上下に黒いスペースが表示される様式で、映画でも時折見られるものです。
下の黒い部分には字幕が表示され、映像の邪魔にならないのがいいところです。
しかし、本作は、レターボックスで隠れる部分いっぱいに映像が作りこまれれているにもかかわらず、
隠されて上下が切れていたために、DLCで黒いスペースを外す設定ができるよう対応がされた経緯があります。

レターボックス表示をオフにしても、字幕表示をオンにしていると、字幕が表示される間だけ、下の黒いスペースが復活します。

I don’t know about you guys, but this year has been very interesting for me gaming wise. It seems that every game I got excited for was either mediocre or completely disappointing, whereas the games I barely even considered to be worth my time really surprised me. The Evil Within is, obviously, the latter. Upon initial announcement I was barely interested, but as time passed I started to warm up to it and as it turns out, it’s one of the best purchases I’ve made this year. Yes, I’m not kidding, the Evil Within is, hands down, among the best 2014 has to offer. however, despite my enthusiasm, the game obviously has it’s own characteristics, which may not be for everyone, and it as well as few problems.

Now in any horror game (Or movie as well), the presentation, at least, to me, is definitely one of the most integral aspects to captivate the player. Now at first glance, and this has been a common observation (or complaint depending on who you ask), The Evil within looks really rough. The models seem very…Stiff, the visuals are a bit smudged, and throughout the game you have to deal with letter boxing. For me, none of these things were in any way a detriment to the experience. Every single design choice I’ve encountered seems to have been placed there to further emphasize on the horrific elements. In fact, as I was progressing through the game, none of these things bothered me at all, because at some point everything clicked in just the right way and these concepts became a vital part of the game, which did indeed enhance the experience.

While the graphics aren’t mind-blowing as some of the more recent next games games that have either been released or announced, The Evil Within is still a beautiful in it’s own way. For starters, you never really stay in one area, instead, the game has you constantly alternating between different, well designed environments, all of which have their own unique feel and personality to it. What’s funny though is that the tension never really fades, which is especially hard to accomplish, especially considering the fact that each environment may be drastically different from the other. Nevertheless, the game does suffers from some frame rate issues and occasional bugs; luckily, these moments are not common so they don’t really interfere with the overall experience. The same can be said for the monsters, all of whom have unique and interesting designs to them. If you think the areas were fantastic you no know nothing yet. But before getting to the amazing freaks you get to shoot in The Evil Within, there are some things that needs to be said.

First off, the story may invoke some mixed reactions, or better yet it indeed has invoked some mixed reactions, which is understandable, because in certain ways it’s not really particularly special. At the beginning of the game things are really confusing, since your basically thrown into a blender; however, as the story progresses things start to make a lot more sense; sure on the surface it may seem convoluted, but if you stay attentive you’ll get the major plot-line quite quickly. Still, at the end of the day there are some integral unanswered questions, some of which I supposed are saved for the DLC or the sequel of the game. Also, the ending plays the “what do you think happened?”cliché, which is so typical for the horror genre these days. I was initially ready to tear the game up for that, but decided to give it time to sink in. A few hours later I realized that I was asking a few, but interesting questions about the game, and I was debating with myself on whether on what really happened. So while the story is sort of meh, it’s definitely fascinating, and can certainly lead to a lot of possibilities, which is a plus. The point I’m trying to make is that, while it does fill a lot of cliche categories, it’s still an interesting ride. And Speaking of cliches, Detective Sebastian Castellanos is you’re typical badass cop who seems so cool it sometimes become humorous. I’ve said this before, and I’ll probably say it a lot more times, as it is very typical for the Horror Genre(or Shinji Mikami), most main protagonists are very trite, and the Evil Within is obviously no exception. If you’re looking for the Resident Evil cheesiness then you’ll be a bit disappointed, because the Evil Within takes on a completely new shade of Cliche, which has it’s own charm if you ask me. To be quite honest, excessive campyness becomes cringe-worthy for me so I honestly prefer the more “cool” and stern protagonist. ( Consider that this is completely subjective, so you, obviously, may not agree with me on this). What’s more, the voice acting is competent, it won’t move or affect you, but it isn’t exactly bad. The best performance is delivered by Jackie Earle Haley, the voice of the main antagonist Ruvik. It’s creepy, menacing, and all around cool if you ask me.

Now that that’s out of the way, lest move on to more pressing matters, the gameplay. This game, as revealed by Shinki Mikami, is meant to revive the 3rd person survival horror genre, so the question is, does it achieve it’s goal? The short answer is yes, it definitely does, but there are somethings you needs to consider first. When compared to games like silent hill, the contents of which may stay lingering in your mind for days without cessation, The Evil Within is not scary, not in the traditional sense at least. This is completely expected, especially in this day and age when kids, as well as adults are a bit more accustomed to graphic and gory imagery. That being said, the game is very intense. There are 15 chapters with the evil within and almost at the end of every single chapter I felt physically butchered. The game keeps you on edge 24/7 and it doesn’t pull it’s punches back. It’s hard, and I’m not just saying that, I absolutely mean it. Almost every design choice made in the game seems to exist just to make things harder on you, which is fantastic if you ask me. Ammunition is very rare, which means that you have to scavenge the area multiple times in order to prepare yourself for what’s to come. But lets say for the sake of argument that you do have a lot of ammo at your disposal; you’d think that the game may become easier, right? Yeah, no. While facing one regular enemy, called the Haunted, you still have to be very attentive on how you dish out the damage. If you decide to empty your gun into a few typical enemies, it means you screwed up big time, because a few steps ahead there’s more waiting to chew you up and spit you out. The ideal amount you may spend on a single enemy is two bullets, and that’s only if you’re only using the hand gun. A new mechanic that has been introduced is burning your foes who are believed to be “dead”. This is a very interesting and welcomed addition as it allows you to strategically take multiple enemies out together when overwhelmed and to stay attentive enough to discern when an enemy you though exterminated may come back and tear you a new one. Moreover, it’s easy to mistake that the diverse weaponry would make things easier for you, however, they won’t really help you out in the long run. Say you decided to ameliorate the situation and decided to use the shotgun excessively. Everything’s all good, right? Wrong, what just became an easy kill will become your imminent death as you come across tougher enemies further into the chapter. Plus, you never know when these tougher monster will appear so wasting and collecting loot later may not exactly work in your favor. Like I said, moderation is key here, and the game won’t forgive you if you violate it’s rules.

The melee combat is perfect, but not in the sense that it helps you dominate everyone, but in terms of survival horror, meaning that the ability to punch things only exists to find a gap to distance yourself from danger and catch your breath after knocking your enemy away. I wouldn’t rely much on it though, mostly because it’ll most likely get you killed.

The intensity of the game is further emphasized by the stealth sections, which surprisingly become an integral part of the game at some point. At first, when you’re not exactly confronted with multiple and various enemies, the stealth sections seem unnecessary and even dull at times, but as you progress you’ll meet foes with different weaknesses, more durability, power and versatility, which will no doubt often exhaust your resources quite quickly, thereby leaving you helpless at the hands of different monsters. During such sections stealth is something you’ll need to utilize more efficiently, because it’ll distract your enemies long enough for you to look for more resources once you come out of hiding. However, despite my yammering about the difficulty curve there are ways in which you can emerge victorious even when low on ammo. The areas are designed in a way that allows the player to take advantage of the situation. The traps, specifically, can be more useful than harmful at certain times. The game also allows you to mold you abilities to your style of gameplay. Throughout the chapters you’ll collect brain juice, or green gel (the games currency), with which you can upgrade certain abilities.

Unfortunately, though, there is one aspect of the gameplay I didn’t enjoy. The puzzles are not at all challenging, which I wouldn’t have minded if the trailers didn’t tell me that there were some very “deadly” and “awesome” mind games. Most of the puzzles here seem less wit oriented and more focused on the players intuition. Often times the game will try to blatantly give you the answer when in reality it’s trying to trick and misdirect you. This is an interesting idea, actually, which would have made the game much more intense, but it’s underdeveloped and barely holds significant consequences.

In order not to bring down the mood and my enthusiasm of this game, lets get back to the more positive aspects. The Evil Within has many likable things, but for me, nothing beats the boss battles, most of which were really memorable. The title of this review isn’t lying, friend, s death is indeed your most prominent teacher on how to win. I specifically waited until now to elaborate on this, since the boss battles are the segments forcing you to learn on your mistakes. It’s frustrating, but in the good kind of way, because the more you die, the more you’ll have to mix up your strategy in order to avoid another brutal execution. During one of these battles I had died at least 30 times because I each time I was doing something wrong, but, due to my attentiveness I altered my style of approach almost every single time, and in the end, I got an easy kill! Sadly, there is one particular battle which seems excessively severe and difficult for no apparent. I’d even go so far as to say that it’s design was completely messed up. I mean, it’s doable , but unlike the other encounters, dying wasn’t the result of my missteps, it was the fault of the game for making my opponent ridiculously overpowered.

Furthermore, the sound design is absolutely superb. I can actually admit that it’s the one few things that scared me. Every single enemy has a distinct sound, which is perfectly integrated into the gameplay. For example, as you are trying to distance yourself from the tougher enemies, you’ll hear many indications of the impending doom that is approaching you. The banging of a giant hammer, the scraping of metal, and the constant creeping raise in volume as the atrocious beings slowly get near. Despite the fear, however, these sounds do help the player, since it helps us strategize and plan out our movies according to the sounds intensity. This isn’t a joke, and if you don’t believe me, I dare you to play the game by lowering the volume greatly or completely muting your TV. You’ll find that this way, the gameplay becomes much more difficult and at times quite impossible.

In conclusion, The Evil Within may not be a perfect game, and while some areas need more developing and focus, it accomplishes it’s goal of reviving the classic survival horror experience. It may not look like it on the first glance, but the Evil Within is an intense,atmospheric, tough, rewarding, and beautiful game with a lot old and new design choices blended together.

This is the best survival horror game I have ever played. I have played all the resident evil’s since I was very young. I beat this game on survival difficulty setting and am about to beat it on nightmare setting. If you play both settings this game has over 40 hours of play time if you do everything, even more if you play it a third time. The Evil Within will take you to places no other game has before expect jump scares, horror, gore and horrific acts of intense violence. This game has freaked me out so much that I do not play it later then 9 P.M. yes I am admitting this on here for you all to see. This game is hard in the sense it does not “give” you items you have to earn them.

The Evil Within features a dynamic crafting system in which the player can create different types of “bolts” for your crossbow, these “bolts” use trap parts to create. There is also a solid upgrade system. When you kill a monter it might drop “green gel” this gel will allow you to upgrade Sebastians (The charater you play.) skills. Some of the things that can be upgraded are core skills like health, sprint speed, and syringe recovery. (Part of the healing system in The Evil Within.) You can also upgrade stock which is how many bullets you can carry at one time, then the last item category would be the weapons themselves things like weapon damage, and weapon fire rate.

Please keep in mind this before you purchase this game. Resident Evil and The Evil Within are two very different games. Resident Evil is what we call ACTION/HORROR. In action/horror you get lots of ammo and health and you basically shoot your way through the game this is what we know as Resident Evil. The Evil Within is what we call SURVIVAL/HORROR it is the opposite of Resident Evil in The Evil Within expect low ammo drops, low health drops, slower gameplay, and stealth kills is a must.

I hope this review does not make anyone upset I tryed to just give you guys the facts. Last is how I think of this game which The Evil Within is very easily the best horror game I have ever played period.

Let me start off by saying that this is one of the best games to be released this year. Shinji Mikami is absolutely on top of his game. The graphics are terrific, the controls are fluid and easy to get a hang of, and on top of that the game is creepy as hell. Going in you must be prepared for a rough time, I think I was sliced and diced over 200 times. Whenever you need weapons and ammo the most it seems that is the point where you run low. But that’s not necessarily a bad thing you must be creative to bring down baddies without expending all your ammo.There are also traps galore. You must always be on your toes because there are bombs, tripwires, and blades that can turn you into mush if your not careful. The monsters look spectacularly disgusting and each type offers new challenges. Ive found the bloody girl that doesn’t stay dead is one of the scariest, because to battle her you have to find creative ways to burn her as your running for your life. I also like the fact that the whole game your basically trying to solve the mystery of why this is all happening to your character, at points you even start questing your character’s sanity. Finding the truth makes this game addictive and it’s really hard to put down the controller!