PreSonus FaderPort 16-Channel Mix Controller
€699.99
PreSonus FaderPort 16-Channel Mix Controller Price comparison
PreSonus FaderPort 16-Channel Mix Controller Price History
PreSonus FaderPort 16-Channel Mix Controller Description
PreSonus FaderPort 16-Channel Mix Controller: The Ultimate Tool for Your Mixing Needs
If you’re in search of a reliable and feature-rich mix controller, the PreSonus FaderPort 16-Channel Mix Controller is your answer. Whether you’re an audio engineer in a professional studio or an enthusiastic musician at home, this versatile controller is designed to streamline your mixing process. With its intuitive design and robust functionality, the FaderPort allows for a more efficient and creative workflow.
Main Features of the PreSonus FaderPort 16-Channel Mix Controller
- 16 Channel Control: This mix controller boasts 16 channels, allowing for seamless managing of multiple audio tracks simultaneously. With each channel equipped with a motorized fader, you can achieve precision and control for the perfect mix.
- USB 2.0 Connector: The FaderPort connects via USB 2.0, ensuring compatibility with a wide range of DAWs. Simply plug it into your computer, and you’re ready to go.
- Compact and Portable Design: Weighing only 8 pounds with compact dimensions of 11.9 x 19.6 x 2.11 inches, it is easy to transport and fits well in tight spaces, making it perfect for live performances or studio sessions.
- Standing Screen Display: The built-in 1-inch display provides real-time visual feedback for track levels, helping you maintain control and precision throughout your mixing process.
- Versatile Musical Style Compatibility: Designed for electronic music, the FaderPort caters to a broad range of genres, ensuring you can create mixes that sound exactly how you envision.
- Sensitive Controls: Each fader and knob is designed for responsiveness, ensuring that your commands are executed smoothly without delays.
Benefits of Using the PreSonus FaderPort 16
The PreSonus FaderPort 16-Channel Mix Controller greatly enhances your mixing experience. Each feature works synergistically to allow for both creativity and efficiency. The motorized faders automatically adjust as you switch between projects, helping to maintain a seamless workflow. With a clear user interface, beginners can quickly adapt while professionals can exploit its advanced features.
Price Comparison Across Different Suppliers
The PreSonus FaderPort 16-Channel Mix Controller is competitively priced across various suppliers. Typically, the price ranges from $499 to $599, depending on the retailer and any ongoing promotions. Comparing prices can reveal substantial savings, particularly during seasonal sales. Our site provides a simple way to compare prices across multiple platforms, ensuring you find the best deal.
6-Month Price History Trends
Our detailed analysis illustrates price fluctuations over the past six months. Overall, the FaderPort’s price has remained relatively stable, with minor dips following holiday shopping seasons. Notably, many retailers offer bundle deals, providing additional savings on accessories like cables and audio software. Stay informed to ensure you’re making the best purchase decision.
Customer Reviews Summary
Customer feedback on the PreSonus FaderPort 16-Channel Mix Controller has been overwhelmingly positive. Users praise its reliability, intuitive interface, and responsive fader controls. Here are some highlights:
- Positive Aspects: Many customers commend the FaderPort’s ease of use, stating that it significantly enhances their workflow. The build quality has also been positively noted, with users recounting durable performance over long periods.
- Noted Drawbacks: Some users mentioned a learning curve for configuring it with specific DAWs, while others found certain features preferable for electronic music over live recording settings.
Explore Unboxing and Review Videos
Your Next Steps
In conclusion, the PreSonus FaderPort 16-Channel Mix Controller stands as a formidable tool for anyone serious about audio mixing. With 16 channels of control and a compact design, it effectively meets the demands of modern audio production. Take advantage of our platform to compare prices now and get the best deal on your next purchase!
PreSonus FaderPort 16-Channel Mix Controller Specification
Specification: PreSonus FaderPort 16-Channel Mix Controller
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PreSonus FaderPort 16-Channel Mix Controller Reviews (10)
10 reviews for PreSonus FaderPort 16-Channel Mix Controller
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Kenn Crawford –
nada que decir, es perfecto en diseรฑo y en funcion, super fluido para trabajar produccion musical, cabe mencionar que si eres usuario de studio one lo vas amar, tambien es compatible con otros daw pero no en su totalidad, yo estoy feliz con el es perfecto mejora muchisimo mi sensibilidad a la hora de mezclar! y llego en tiempo y perfectas condiciones!
Damiano –
Excelente producto y llego en perfectas condiciones
KIKE HERRERA –
Una vez que lo hice funcionar correctamente es excelente, lo malo es que sรญ tarde algo haciendo troubleshooting. En mi caso no fue solo conectar y usar, tuve que contactar al vendedor aunque ya habรญa bajado el software necesario, etc.
peederj –
A simple hardware store rubber grommet as shown will turn the otherwise miserable knob into a jog/shuttle-style wheel you can easily turn with one fingertip. The knob will grind a bit (by design, sadly…this is an audio product and should be silent) but loosen up over time, as will the motorized fader.
I like the design, have used the Faderport 2 for a few years, stayed with it for my podcast rig, which brings us to the audio side. It’s fine enough, nothing special, the headphone amp cranks but does get a bit of harmonic distortion when cranked. The mic pre is commodity, it has enough gain for the SM7B but no phase invert. I didn’t try a guitar, no idea of the input impedance.
Comparing, the SSL2 is more euphonious than this certainly, but doesn’t have the nifty controller of course. This lacks the SSL2’s stereo control button, I think the low-latency input monitoring lock both channels as mono, but I didn’t test that. Both have 115dB dynamic range spec, the SSL2 does sound better, but I can live with this Presonus audio for simple use cases. The SSL2 headphone level doesn’t get as loud, but the preamps do have the somewhat handy “4K” mode.
Testing further, the audio section on the ioStation is pretty poor. There are error spurs (continuous high tones) in the ADCs, and the main outs are unbalanced. This is sloppy corner cutting consumer gear quality. The PCB traces were made for manufacturing convenience and not for performance. Read the instructions next time. Presonus does read the instructions on their Quantum units fwiw.
The DACs are OK, and the headphone amp, while getting some 3rd harmonic when cranked, is quite usable. I would probably prefer a USB Mic like the Shure MV7 over these ADCs if possible. But just to listen back in headphones while editing/mixing, or even over speakers, this works fine. The SSL 2 is far far better on the bench though. But no Faderport included unless you buy a UF8.
BobF –
Sometimes when I’m mixing, using a mouse can get frustrating at times when you’re really trying to accurately adjust volume levels. This resolves that issue. The motorized fader and overall construction of the unit are solid. Initial setup can be a little finicky if you’re using reaper but the secret is to download the Klinke version of Mackie Control and set the faderport for Logic. Transport controls are phenomenal and my overall workflow has improved quite a bit since introducing this to my setup. I was initially looking at the Faderport 8 because I wanted the flexibility of being able to adjust more than one track simultaneously however the one slider is easy to get used to especially if you don’t want to clutter up your desk. The faderport comes with the Artist version of Studio One which I had never used, but after playing around with it, I may upgrade to the pro version. The artist version gives you limited capabilities with VST plugins.
Overall, I’d say this is a win and I’d recommend it to anyone looking for more of an analog feel while using a DAW.
KIKE HERRERA –
รrรผnรผ alalฤฑ iki gรผn oldu. Studio One ile entegrasyonunu รงok beฤendim. Yani diฤer DAWlar ile uyumuna gerรงekten bakmadฤฑm, sanฤฑrฤฑm bakmayacaฤฤฑm da. Ama Studio One’da รถzellikle Kontakt’a yรผklenen orkestral pluginler iรงin, Dynamics, Expression gibi her bir parametrenin faderlara atanabilmesi รงok gรผzel. Alฤฑrken sadece Midi Mode ile yapacaฤฤฑmฤฑ dรผลรผnรผrken, Studio One modundayken de edit plugins tuลuna 2 kere basฤฑnca enstrรผman plugini parametrelenin de atanabildiฤini gรถrdรผm. Miks konusunu da daha ciddiye almama yardฤฑmcฤฑ olacaฤฤฑnฤฑ dรผลรผnรผyorum. Amazona teลekkรผrler, Tรผrkiye’de daha ucuzu yoktu, hฤฑzlฤฑ gรถnderdi,
Grimmy –
I’m old school and got my feet wet in the 80s using all hardware and tape. I do love modern mixing in the box but I miss the hands on approach and always needing a mouse. This is a great rig and works flawlessly with my DAW (Studio One.)
I’ll be buying a bigger version with more channels when money oermits but for now, this gets the job down in style.
Jeff –
Super cool and fun to use. The comments regarding undo/redo are uninformed – if you hold the shift down for a couple of seconds it remains in force, so you can have undo and redo ready as you record (shift doesn’t affect the transport and recording control etc). Where I wasted some time was putting it into Mackie Control mode. You have to hold the next button when powering up, and then you hit touch button for HUI or mute for MCU. Silly thing is that there are two mutes and I initially kept hitting the wrong one (the one nearest – bottom right – that mutes the audio interface) rather than the channel mute (I didn’t read the HUI mode mechanism). I love this product. Too cool for school…. my only wish? I wish that it could run off USB-C power as an option (it’s nice to have the power supply to not drain the laptop) because it makes it so more portable in the home, traveling, studio etc. It’s great to get Studio One Artist and all of the free software too (but I’m a Logic Pro X fan – but I have played with Studio One is pretty slick – I just find it has missing bits and pieces that Logic has acquired over the decades…
Love the sound quality too…. two products in one super cool package. And it looks great as well!
Jeff –
I was looking for a MIDI mixer with automated faders and a jog wheel for maximum control with my DAW. I had looked at the X-Touch, which has a larger jog wheel and looks nice, but I wasn’t sure that Behringer was doing a good job of support and responding to customers. The X-Touch Compact doesn’t have a jog wheel, which I want. I considered some other options but decided to take a chance on this.
I’m using it with Logic Pro X. The setup didn’t bring up the protocol selection automatically when I first turned it on – I had to power off and press and hold the first two Select buttons to initiate the mode to select MCU for Logic. Then in Logic it generated MIDI notes instead of controlling the DAW – I found out that the manual forgets to tell you to set input and output in the Control Surfaces setup to Faderport. After that it worked fine. Good thing there are so many helpful forums around ๐
So far so good – faders automate, navigation controls zoom and scroll, transport controls work as expected. I’ve seen a couple of complaints on the forums about the scribble strips being hard to read because they’re not angled up but I’m OK with it, so far. (Some other user props it up on a rubber-coated dumbell.) This unit uses a power brick, but no biggie.
It’s sleek and it works as advertised, and here’s hoping it will make mixing that much easier. Now all I need is talent!
peederj –
This is an upgrade for me from the Faderport Classic. Love it – the audio interface is excellent.
I should have acquired this sooner!