Violin Concerto In D Minor, Op. 47
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Violin Concerto In D Minor, Op. 47 Description
Discover the Violin Concerto In D Minor, Op. 47 A Musical Gem
The Violin Concerto In D Minor, Op. 47 is a quintessential piece for any violinist or music enthusiast. Published by Music Minus One, this paperback edition combines invaluable musical experience with a captivating performance. Released on November 1, 2006, it consists of 16 pages of expertly crafted music that guides both amateurs and professionals through the nuances of this classical masterpiece. Whether you aim to refine your skills or simply enjoy the beauty of orchestral music, this concerto is an exemplary choice.
Main Features and Benefits
- Publisher: Music Minus One, a reputable name in music publishing, ensures high-quality standards.
- Language: English, making it accessible to an international audience.
- Size: At 9 x 0.07 x 12 inches, this paperback is conveniently sized for ease of handling and reading.
- ISBN-10 & ISBN-13: Easily identifiable with ISBN-10: 1596151730 and ISBN-13: 978-1596151734.
- Weight: Lightweight at just 8.8 ounces, perfect for transportation and practice on the go.
Comparative Pricing Across Suppliers
The price of the Violin Concerto In D Minor, Op. 47 varies across different suppliers, providing an excellent opportunity for budget-conscious buyers. By comparing prices, customers can find the best deal that suits their financial requirements. Some suppliers may offer bundle deals, adding even more value to your purchase.
6-Month Price History Trends
Recent trends in the price history chart highlight the stability of this concerto’s value. Over the past six months, prices have shown minimal fluctuations, ensuring that customers can invest in their passion with confidence. The stability indicates that the product’s demand remains high, making it a reliable choice for both learning and performance.
Customer Reviews: What Are Musicians Saying?
Customer feedback for the Violin Concerto In D Minor, Op. 47 showcases a blend of praise and constructive criticism. On one hand, many users commend the clear and detailed sheet music, which facilitates smooth practice sessions. Performers appreciate the engaging orchestral accompaniment allowed by Music Minus One, enhancing the overall musical experience.
However, some novice musicians find portions of the piece challenging, reflecting the concerto’s advanced nature. These reviews underline the importance of having a solid foundational skill set before attempting to master this concerto. Nevertheless, the mix of praise and constructive feedback reaffirms its value as both a learning tool and a performance piece.
Engage with Video Reviews and Unboxings
In addition to the written reviews, numerous YouTube review and unboxing videos illustrate the experience of engaging with this concerto. Watching performances, tips, and demonstrations can greatly enhance your understanding and appreciation of the work. These visual aids provide insights into the emotional depth and technical aspects of the piece, making them essential resources for any serious musician.
Why Choose Violin Concerto In D Minor, Op. 47?
This concerto stands out due to its exquisite composition and the opportunity it provides for musicians to develop their skills. The dual focus on learning and performance makes it an ideal resource for violinists at various levels. Not only is it suitable for formal training, but it also serves as a rewarding personal project.
With its lasting legacy and continuous relevance in the music community, Violin Concerto In D Minor, Op. 47 is a must-have for all classical enthusiasts. Its intricate patterns and emotive phrasing offer a challenging yet fulfilling experience for any dedicated musician.
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Violin Concerto In D Minor, Op. 47 Specification
Specification: Violin Concerto In D Minor, Op. 47
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Violin Concerto In D Minor, Op. 47 Reviews (2)
2 reviews for Violin Concerto In D Minor, Op. 47
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Ann Vancoillie –
Well….it’s played very out of tune in the orchestra. They are running, no tempo stability…
But it’s usefull for a first stadium of study…..surely not to perform with….
Sophrosyne –
This is good and can work for a public performance. But some of the tempos and tempo changes are quite unconventional. They don’t make any musical sense to me and can really throw you off. Tempo changes sometimes occur rather unexpectedly. You have to make sure you practice these idiosyncrasies if you’re going to play with this.
The tempo of the middle section of the second movement is, for example, at an unusually break-neck pace. I have never heard this section played so fast. The triplet 16th notes are played like they were some kind of Paganini caprice or something. It seems that in the ascending octave scales the tempo picks up unexpectedly as well after the first set, making it a very awkward tempo change that can crash and burn you if you don’t practice it.
For something like this, it would be nice if they had not taken so many liberties with tempo changes, and stuck instead with a more rigid and standard tempo.