BOSS Boss OD-3 Overdrive Pedal

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BOSS Boss OD-3 Overdrive Pedal Price comparison

BOSS Boss OD-3 Overdrive Pedal Price History

BOSS Boss OD-3 Overdrive Pedal Description

BOSS Boss OD-3 Overdrive Pedal: The Ultimate Sound Enhancement Tool

If you’re looking to elevate your guitar sound, the BOSS Boss OD-3 Overdrive Pedal is a must-have. Renowned for its rich tones and ease of use, this overdrive pedal is perfect for both amateur and seasoned musicians. With a compact design and powerful features, the OD-3 stands out as one of the top choices for players aiming for that perfect overdrive effect. Explore its competitive pricing and transforming sound quality today!

Main Features of the BOSS Boss OD-3 Overdrive Pedal

  • Analog Signal Format: The OD-3 utilizes high-quality analog electronics, ensuring warm, organic tones that enhance your guitar’s natural sound.
  • Robust Build: Weighing just 1 pound and measuring 9 x 4 x 6 inches, the OD-3 is designed for durability and portability, making it an ideal companion for gigs.
  • Easy Operation: Featuring intuitive controls for Level, Tone, and Drive, musicians can seamlessly dial in their desired overdrive without the fuss.
  • 9V Battery Included: The pedal comes ready to go with an included 9V battery, allowing for immediate use right out of the box.
  • Versatile Use: Whether you play blues, rock, or metal, this pedal accommodates various music styles and guitar setups.

Price Comparison Across Suppliers

The pricing for the BOSS Boss OD-3 Overdrive Pedal varies across different suppliers, making it essential to compare prices to find the best deal. As of now, the prices typically range from $99.99 to $129.99, depending on the retailer. By utilizing our comprehensive price comparison tool, you can ensure you pay the lowest price possible for this sought-after pedal.

6-Month Price History Trends

From the 6-month price history chart, it’s notable that the BOSS Boss OD-3 Overdrive Pedal has shown a moderate price fluctuation. Since its launch in October 2005, the pedal’s price has experienced slight dips during seasonal sales. For instance, there was a notable drop in price during Black Friday promotions in the past months, making it an ideal time for budget-conscious musicians to invest.

Customer Reviews Summary

Overall, customer reviews for the BOSS Boss OD-3 Overdrive Pedal are overwhelmingly positive. Users praise its ability to deliver a smooth, rich overdrive without causing unwanted feedback. The tonal versatility is also highlighted, with many mentioning how well it pairs with different guitar pickups. Some users note that the pedal can be a bit loud when set to higher drive levels, which may not suit everyone’s taste. However, these minor drawbacks are often outweighed by the pedal’s excellent sound quality and durability.

Explore Unboxing and Review Videos

If you want to see the BOSS Boss OD-3 in action, consider checking out various unboxing and review videos available on YouTube. These resources provide valuable insights from musicians who have tested the pedal in real-life scenarios. Viewers can witness the pedal’s flexibility and tonal range, alongside tips for getting the best sound possible.

Experience the legendary craftsmanship of BOSS and redefine your sound with the BOSS Boss OD-3 Overdrive Pedal. Whether on stage or in the studio, this pedal can help you achieve the sound you desire. Remember, the right gear can make all the difference in your music. Don’t wait—compare prices now and elevate your sound!

BOSS Boss OD-3 Overdrive Pedal Specification

Specification: BOSS Boss OD-3 Overdrive Pedal

Item Weight

1 pounds

Product Dimensions

9 x 4 x 6 inches

Item model number

OD-3

Batteries

1 9V batteries required. (included)

Is Discontinued By Manufacturer

No

Date First Available

October 11, 2005

Color Name

gold

Signal Format

Analog

Size

meduim

Battery type

Alkaline

Color Screen

No

Voltage

9 Volts

BOSS Boss OD-3 Overdrive Pedal Reviews (9)

9 reviews for BOSS Boss OD-3 Overdrive Pedal

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  1. Ade1

    Boss great pedals although works better with a valve amp tone seems to be two harsh and not clean through modelling amps

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  2. Omar Delgado

    Tienen un gran tono.
    Un amplicadores a transistores el OD3 lo revitaliza, la pone carne a los huesos.
    Gran pedal, precio accesible

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  3. DR

    Es un gran overdrive, sin embargo, es una pena que esta nueva versión ya sea hecha en Malasia con la tecnología SMT (surface mount) pues hace un par de años aún vendían la versión hecha en Taiwan. Era algo que se esperaba ya que el SD-1, BD-2 y DS-1 hace mucho que cambiaron a la versión SMT. Se habían tardado en hacer lo mismo con el OD-3. Una lástima pues esto los hace practicamente inmodificables.

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  4. TunaDonut

    Reviewing a pedal is only good if you know the context:

    American Performer Strat -> MXR Dyna comp -> ASSORTED OVERDRIVES -> MXR Eq ->Boss Katana amp, clean channel, gain at noon, volume maxed out.

    I’ve been playing 25 years. I need three tones when I play – sparkly clean for 4th position funk, some slight overdrive sound for blues rock OR leads for the funk songs, and a badass overdriven sound for the leads on the blues songs.

    I like Blues Drivers, but they’re a bit tinny to my ear, especially in front of tubes (Blues Jr IV tweed). When that gain gets too high, the breakup sounds mechanical to me.

    I like tubescreamers OK, but they always sound muddy to me. This includes the SD-1.

    I’ve tried OCDs – GREAT for higher gain – and the Soul Food – which works better with hotter pickups, but seems to cut some of the lows. My go-to rig for a couple years has been either two blues drivers (one low gain, one for leads) or a blues driver with a ds-1 feeding into it, with the gain on the ds-1 turned all the way down.

    THEN I got this OD 3. Holy crap my world has changed. It sounds a LOT like the blues driver, but without that tinnyness and with more creamy breakup. Right now, I’ve got an SD-1 feeding into it. The OD-3 is my blues-rhythm tone. The SD-1 gives me that mid-range boost and added gain for leads. With the reverb on the Katana, this set up gives me some great tones. You can definitely dial in those John Mayer Dumble-style tones with this thing, both in fourth and fifth position. It’s a truly transparent overdrive – meaning it doesn’t mess with the eq – so having that MXR eq after it to boost the mids a bit is great.

    This thing also sounds phenomenal through the Blues Jr. though. And switching to a guitar with hotter pickups doesn’t completely screw it up, as tends to happen with the Blues Driver.

    Great pedal. Get one if you can.

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  5. MTK

    Very nice OD pedal, with moderate gain, and full tone (no midrange hump, with plenty of bass and treble). It has a warm, amp like distortion, and works well with single coil and humbuckers. I use it as a foundation OD, stacking a BD2 or a RAT clone in front of it when I want higher gain.

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  6. Max B

    overdrive super !!! C’est un overdrive lisse, ici on oubli la ruche d’abeille..! bizz bizz..! Un ton Warm et organique pour le prix c’est la meilleure que j’ai essayé et je l’ai toujours sur mon pedalboard.

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  7. Fenderman

    I have been playing for more than 30 years. I play through an Egnater Rebel 30 and a Fender Hot Rod Deluxe. Although both of these amps sound great on their own, this pedal adds yet another dimension. I gave up playing in clubs years ago and now I play primarily for my enjoyment and I write and record my original tunes in my home studio. Whether I am using an axe with single coils or hum buckers, this pedal shines. I have always felt Boss makes the best pedals and I have many Boss products. I also have some EH, Dunlop and MXR pedals. I used a Tube Screamer for a short while and never understood the hype it gets. This pedal blows the Ibanez out of the studio and off the stage. Don’t know how it would work with a solid state amp but with a tube amp I’m confident that it will earn your respect.

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  8. Naht shure

    I hate how most overdrive/distortion pedals filter the low end and/or add low mids to the sound. I understand why this is done, but I want my overdrives to be transparent and sound like I just turned my amp up. The OD3 is one of the good ones, with no low end filtering. I use it in my recording rig as an “edge of break up/preamp kind of pedal, with the gain all the way down and the other settings neutral; it’s just for “color”. I feel it makes the amp sims sound more real, and when I go to reamp it later, it seems to give the amp a little more growl to work with.

    To be fair, I use the BD2 Blues Driver on my live pedal board for the exact same purpose, and I think I like the BD2 a little bit better than the OD3, but its really splitting hairs. I don’t think it makes much of a difference. What I hear between them is the Blues Driver has a little more of a push in the upper mids around 1-3k, and the OD3 seems a little bit warmer/darker in the 100-200hz range. Both are pretty much the perfect pedal for low gain overdrive, and the price is great too!

    For reference I primarily play a Gibson Gold Top with P90s or a Fender telecaster (neck humbucker) into a modified Princeton with a 12″ speaker.

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  9. John Marolakos

    As described by many, this Boss OD-3 is an overlooked gem. It’s just a great sounding mid gain overdrive. Doesn’t go completely transparent or clean. Even at its lowest gain setting it’s got some smooth and pleasant grit. But it sounds awesome. Never fizzy or crackly. I have other more expensive boutique pedals on my board, and I use them for different sounds. But I keep coming back to this OD-3 for my light to mid gain solo sounds, as well as low gain chord harmonics. It’s tone and sustain is like nothing else I’ve played. It’s beautiful. I do think it plays best into a clean amp giving fatness and heft to single coils. It could get a bit murky with the gain up on humbuckers. On humbuckers it shines with the gain all the way down and that’s where I leave it. You see, I’ve learned that all of these tools have a sweet spot where they sound best and we should judge them on their strengths, not what they can’t do. So, this pedal doesn’t have the dial in versatility of a boutique pedal with an eq. No! But who cares? What it does it does marvelously with a rich, smooth and harmonic tone. I love it.

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