Tamron 70-180mm F/2.8 Di III VXD Lens
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Original price was: €1,199.00.€999.00Current price is: €999.00.
Tamron 70-180mm F/2.8 Di III VXD Lens Price comparison
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Tamron 70-180mm F/2.8 Di III VXD Lens Price History
Tamron 70-180mm F/2.8 Di III VXD Lens Description
Tamron 70-180mm F/2.8 Di III VXD Lens Overview
The Tamron 70-180mm F/2.8 Di III VXD Lens is a high-performance telephoto zoom lens designed specifically for Sony full-frame mirrorless cameras. This lens is perfect for photographers seeking versatility without compromising on image quality. With its compact design and fast aperture, the Tamron 70-180mm offers unparalleled opportunities for creative photography, from striking portraits to stunning landscapes. Discover why this lens is trending and how it can elevate your photography game.
Key Features of Tamron 70-180mm F/2.8 Di III VXD Lens
- Fast f/2.8 Aperture: The constant f/2.8 aperture across the zoom range allows for excellent low-light performance and soft background blur, making your subject stand out.
- Compact and Lightweight Design: Weighing only 1.79 pounds and measuring 5.9 x 3.18 x 3.18 inches, this lens is easy to carry for long shoots or travel.
- VXD Autofocus System: The voice-coil motor in the lens provides fast, precise, and quiet autofocus performance, ideal for both photography and video recording.
- Outstanding Image Quality: Tamron’s advanced optical engineering yields sharp images with minimal distortion and aberration, ensuring that every shot is of professional quality.
- Weather-Sealed Construction: Built to withstand challenging environments, this lens is designed with moisture-resistant seals to protect against the elements.
Benefits of Using the Tamron 70-180mm F/2.8 Di III VXD Lens
The Tamron 70-180mm offers exceptional merit for amateur and professional photographers alike. Its fast aperture and VXD focus mechanism give you confidence in your shooting, whether you’re capturing fast-moving subjects or working in low light. Additionally, the lens’s lightweight build allows you to easily integrate it into your camera gear without weighing you down.
Price Comparison Across Leading Suppliers
When considering the purchase of the Tamron 70-180mm F/2.8 Di III VXD Lens, it’s crucial to compare prices for the best deals. Our platform provides a comprehensive price comparison across various suppliers, ensuring you find the most competitive rates. Prices typically range based on availability and seller, so be sure to check listings to secure the best value for your investment.
6-Month Price History Insights
Our analysis of the 6-month price history for the Tamron 70-180mm F/2.8 lens shows notable trends. Over the past six months, prices have fluctuated based on seasonal demand, with peak pricing during holiday shopping periods. The lens generally maintains a mid-range price point in comparison to similar lenses, making it a smart choice for value-conscious photographers.
Customer Reviews: What Photographers Say
Customer feedback highlights both the strengths and weaknesses of the Tamron 70-180mm F/2.8 lens. Hereโs a summary of the reviews:
- Positive Aspects: Users rave about the lens’s sharpness and color accuracy. Many photographers praise the lightweight design, making it a favorite for wedding and event photography.
- Notable Drawbacks: Some users have indicated that the lens’s zoom range may feel limiting compared to larger zoom lenses. A few photographers prefer a sturdier build for more frequent professional usage.
Explore Unboxing and Review Videos
For a more in-depth understanding of the lens’s performance and features, check out various unboxing and review videos available online. These resources provide visual demonstrations of the lens in action, offering insights that detailed specifications and written reviews may not capture fully. This additional perspective can help you make a well-informed purchasing decision.
Upgrade Your Photography with the Tamron 70-180mm Lens
The Tamron 70-180mm F/2.8 Di III VXD Lens stands out as a prime choice for photographers looking to enhance their craft. Its combination of versatility, quality, and portability makes it a worthy addition to any Sony full-frame mirrorless camera kit. Don’t miss out on the opportunity to elevate your photography.
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Tamron 70-180mm F/2.8 Di III VXD Lens Specification
Specification: Tamron 70-180mm F/2.8 Di III VXD Lens
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Tamron 70-180mm F/2.8 Di III VXD Lens Reviews (8)
8 reviews for Tamron 70-180mm F/2.8 Di III VXD Lens
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Marzz –
ุงูุถู ุณุนุฑ ูุฌุฏุชู ููุนุฏุณุฉ ููุตูุช ุณุฑูุนุง ูุจุญุงูุฉ ู ู ุชุงุฒุฉ
AK –
What a beast! Images are so crispy and clear. 180mm will fulfill almost all your zoom-in needs for an event videography unless you need a lense for wildlife or bird photography. 180mm is enough and the performance of this lense……just go for it!!
JJ –
El dรญa que lo estrenรฉ lo llevรฉ a un jardรญn botรกnico, y tomรฉ muy buenas fotos de las plantas, con enfoque selectivo. Tambiรฉn me gustaron las fotos de la familia desenfocado los distractores del fondo en una zona con muchas personas y coches
Clinton A Wood –
After a lifetime of shooting with Canon cameras, I recently switched to the Sony mirrorless system with a Sony a9. With a Sigma lens adapter, I can still use my amazing Canon lenses, but being that they are non-native lenses to the Sony, they work for stationary and slow to medium moving subjects. The Canon lenses can’t keep up with the fast action that the Sony a9 camera body is so famous for. So I knew that a few new lenses need to be added.
I’ve spent enough time behind a camera to know pretty quickly whether a lens is working for me or not. After testing several Sony lenses that were lack-luster and were returned, I decided to give this one a try. I have the equivalent of this lens from Canon. And it is the finest lens that I own. To my shock and amazement, this little gem of Tamron’s is exceeding my expectations. It’s about half the weight, half the size and a fraction of the price of my equivalent Canon lens. Why did I need this if I already have the Canon 2.8 lens you ask? Because I have no interest in hiking, walking and exploring long distances with a lens the size and weight of a sewer pipe hanging around my neck. This little Tamron is the perfect hiking companion. It is much more of a “walk-about” lens than my Canon one is.
For me there are two things that I look for in any camera lens. A: Sharpness B: Consistency of performance. This lens aces both. I will pay more for these qualities, but in this case, you don’t have to. The fixed 2.8 aperture is such an amazing thing to have in a lens and this lens syncs up with my Sony a9 perfectly. There is a slight “clunking” sound when the lens focuses, but with the reading that I’ve done, this is normal, so it’s fine.
I’ve found that I can get to within about 14″ of my subject while zoomed all the way in, which gives this lens a bit of a “macro” feature…not a true macro, but very nice for a mid-range zoom.
Tamron used a lot of plastic on this lens to keep the weight down. It feels very solid to me. I’m not hard on my camera gear, so I don’t see that as a problem. Also, there is no image stabilization within the lens. I shot in all kinds of light and I admit that I’ve got a fairly steady hand, so that is not going to be an issue for me at all. And my camera body has some stabilization built in to it.
For the money, you just can’t beat this lens for your Sony E mount cameras. There is a reason that most photographers are giving this thing five stars. I’ll let my images speak for themselves.
JJ –
I was excited when i first got this lens. The auto focus was very responsive and the image quality was amazing. Beware of the build quality. Many people including myself have experienced the zoom guides breaking when taking of the lens hood. It will cost you around $300 to get it fixed!
Abdulmajeed87 –
Diese Linse ist einfach super, schnell, scharf, eon Erlebnis zu benutzen!
Josรฉ M. –
Really love this lens so far. Very sharp. Light and relatively inexpensive for what it is. Definitely gives the Sony equivalent a run for its money. Lens focus is quick and fast, and zooms out smoothly and nicely. Good weight trade-off for optics. So far loving the Tamron series of zoom lenses for the Sony E-series line. This one is my favourite so far and I have most of them.
Clinton A Wood –
Pros
– Great Build Quality
– Relative light weight, well-balanced on the camera
– Compact for it’s focal length and brightness
– Large, comfortable Zoom Ring
– 1:2 Macro Capability in Manual Focus Mode
– Sharp nearly through the zoom range and across the frame
– Fun to shoot with!
Cons
– No lens stabilization
– No autofocus switch or function button
– Stops at 180mm instead of 200mm
– Manual Ring close to the camera body versus on the end of the lens
Long Review
I had already owned the Sony FE 70-200 f/4 lens which I really liked but noticed that I wasn’t using much. I tried using it for indoor photography with a Speedlite (flash), but the ISO levels were much higher than I felt comfortable with due to the f/4 limitation. It was also considerably bulkier than my 24-70 f/2.8; especially, with the tripod mount attached to the lens. Finally, the minimum focal distance was frankly terrible. I could get considerably closer to my subject with my 24-70 vs the 70-200, thus I shot the 24-70 almost all the time. After hearing rave reviews about the Tamron, and the ability to do Macro(ish) photography, I purchased the Tamron and placed the two head to head.
Sharpness
I didn’t do much pixel peeping, but it seemed to me in the center of the frame, both the Sony and Tamron were sharp. The Sony fell apart in the corners pretty badly wide open. The Tamron definitely was sharper in the corners wide open (even at a full stop faster), but certainly not as sharp as the center of the frame.
Brightness
Aperture-wise the Tamron is a full stop faster than the Sony (f/2.8 vs f/4), but it actually seemed to pull in 1.25-1.5 stops of light. That is, in some situations where the Sony shot at ISO 800 at f/4, the Tamron seemed to be around ISO 300 at f/2.8 vs the expected ISO 400. I credit this to the due to the fact that light “transmission” of the lens is different than aperture. It just might be that the Sony has more lens elements and coatings that reduce light transmission versus the Tamron. To any effect, it was a nice little bonus.
Minimum Focus Distance
In autofocus mode, the Tamron can definitely get closer to a subject than the Sony, but reproduction ratio is still not as good as my Sony 24-70 f/2.8. Switching the Tamron to manual mode, and adjusting the Zoom ring to 70mm, you can get as close as 1:2 which is getting close to Macro territory. The center sharpness seems quite good at this setting, but it does get quite soft toward the edges of the frame. This is the only time that I missed having the manual focus ring on the end of the lens as I found it hard to hold the camera lens steady with my hand placed so close to the camera body. It’s neat you get that bonus feature out of the lens, but those that want quality Macro images should still get a dedicated Macro lens.
Low-Light Performance
The Tamron seemed to get an additional 1-1.5 stops of light over my Sony depending on the focal length, but the Sony has lens Optical Image Stabilization built-in. With the Optical Image Stabilization turned ON, I was able to get (reliably) an additional 1-1.5 stops out of the shutter speed for still subjects. On the other hand, for moving subjects, the Tamron has the advantage as you can have faster shutter speeds with better Iso performance over the Sony.
Indoor Photography with Speedlite
Even with a Speedlite, I find larger apertures to be preferred. The larger the aperture, the brighter the background is which makes for more pleasing, natural looking photos. The Tamron created more pleasing images, at faster shutter speeds (or better ISO performance) than the Sony.
Build Quality
Reviewers lamented at Tamron’s plastic housing calling it cheap and “kit lens” like. In my experience, nothing could be further from the truth. Yes, the housing is plastic, not metal, but the zoom and manual focus rings have a nice, smooth feel to them. In addition, while not terribly heavy, there is some heft to the Tamron lens and it feels solid. Finally, there is a nice tactile feel of the (huge) rubber Zoom Ring and Manual Focus ring. I will say that the Sony feels like a tank with its metal housing and internal zoom, but the Tamron is no “kit lens”, it feels substantial in the hand and I personally like the black finish to the Sony’s white.
To be honest, after testing both lenses, I was conflicted if I really wanted to get rid of my Sony. Tamron seemed to only slightly edge out the Sony in all of my tests. But the deal-breaker was when I used the Tamron out in the field. It takes up less space in my bag and feels so much better in the hand than my Sony ever did. The fast aperture meant that I could pump up my shutter speed to freeze action or eek out better ISO performance. Where as with the Sony, I would shoot a little bit and then switch back to my 24-70, the Tamron I just enjoyed shooting so much that I would keep it on for much of the day. Needless to say, I sold my Sony and kept the Tamron.